If you are running Ubuntu, it is strongly suggested to use a package manager like or to download and install packages, instead of doing so manually via this website.You should be able to use any of the listed mirrors by adding a line to your /etc/apt/sources.list like this:deb xenial-security mainYou can download the requested file from the pool/main/libp/libpng/ subdirectory at:.Ubuntu security updates are officially distributed only via security.ubuntu.com.
Reelbox Deb Installieren Windows. 3/22/2018 0 Comments Sonic Robo Blast 2, abbreviated as SRB2, is a fan game for Windows and DOS platforms. D platformer developed. OPW Fueling Containment Systems' Next Generation FlexWorks Pipe is more flexible, lighter and has reduced memory to aid installation and is UL approved for. 2' Double-Wall Primary Pipe, 3' 18 18 18 18 24 24 24 36 36 72 mm 457 457 457 457 610 610 610 914 914 1828 Box Reel Box Reel Box Reel Reel Box Reel.
Natasha Paremski, c. Andrea Joynt Live from the Grant Park Music Festival, Wednesday at 6:30 pmThe Grant Park Music Festival welcomes Russian-American pianist Natasha Paremski for Wednesday’s season opener. She joins Carlos Kalmar and the Grant Park Orchestra for Tchaikovsky’s Piano Concerto No.2, a piece she jokes about on her Facebook page:“deliriously fast and crazy loud.”—TchaikovskyIce pack, please.The program includes Tchaikovsky’s symphonic poem Francesca da Rimini and John Corigliano’s Tournaments.Natasha Paremski asked one question of WFMT: “ Would it be possible for my friends to listen in from around the world?”The answer is yes. The broadcast starts at 6:30 pm, CDT. Suzanne Nance hosts the concert on the radio and online at WFMT.com.
20-year-old Arianna Smith Dame Myra Hess Memorial Concerts, LIVE on Wednesdays at 12:15 pmOn Wednesday the Dame Myra Hess Memorial Concerts welcomes 20-year-old violist Arianna Smith in what’s really a homecoming. She grew up in St. Charles, Illinois, but has been studying at the Colburn School in Los Angeles.
As a product of Chicago’s music community, Arianna has both the local perspective on music education as well as a national one. As far as she’s concerned, it’s a good community for young players.“Chicago youngins overpopulated the Colburn School. The Music Institute and Chicago Youth Symphony Orchestra turn out some of the best young musicians I have been privy to.”—Arianna SmithThere was a lot of music in her home.
Her older siblings played multiple instruments. “I wanted to be just like them,” she said. It was her mother who laid down the law, however: “she never let me quit anything that I started. Something that I am only now thankful for.”Arianna Smith admits, “It wasn’t until around 6th or 7th grade that I enjoyed practicing for myself and didn’t need the extra nudge.” She also had the benefit of studying with the renowned instructor Roland Vamos at the Music Institute of Chicago.When she and three other students formed a quartet, Arianna offered to play viola, a larger instrument. As the Aurelia String Quartet, they won the gold medal at the Fischoff National Chamber Music Competition. They played on WFMT’s, and Live from WFMT − one of the rare instances in which pre-college musicians have been on the Monday night series.At age 16, Arianna Smith went to Los Angeles, “Chicago youngins overpopulated the Colburn School. The Music Institute and Chicago Youth Symphony Orchestra turn out some of the best young musicians I have been privy to.
With one of the best orchestras as well (Chicago Symphony Orchestra), there is just an abundance of great teachers and institutions available.”Coming to Chicago to play the will be but a brief visit. She’s moving from Los Angeles to Paris.She’s realistic about joining a quartet: “My passion has always been in string quartets, but finding four people who create beautiful music and can handle the personalities outside of rehearsal is a tall order. I’ll be happy as long as I am playing.”Arianna Smith will perform with pianist Kay Kim on the Dame Myra Hess Memorial Concerts series at the Chicago Cultural Center. The concert will be broadcast live on WFMT, Wednesday, June 11 at 12:15 pm.
Strauss in 1886WFMT offers many opportunities to celebrate the 150th anniversary of the birth of Richard Strauss, from a new radio documentary to complete operas to many of his orchestral works.Richard Strauss was born in Munich on June 11, 1864. He lived until 1948. He wrote 15 operas, dozens of songs, and a number of orchestral pieces, including the tone poems ( Don Juan, Till Eulenspiegel’s Merry Pranks, Don Quixote, and others) which set him on his way to becoming one of the 20th century’s most popular composers. Special FeaturesMonday-Friday at 7:00 pm (except Wednesday, 5:30 pm)Exploring Music with Bill McGlaughlindevotes an entire week to the life and music of Richard Strauss.Listen. Vadim Gluzman and Angela YoffeThe husband and wife duo (violin and piano) announced their intention to create the festival in October of 2010. Now in it’s 4th season, the Festival attracts some of music’s most celebrated performers. This year’s festival includes Alessio Bax, Anne Akiko Meyers, Paul Neubauer, and Andrew Litton.WFMT Eric Arunas goes on-location to Northbrook for a live broadcast of Friday’s concert.
Dave Schwan hosts. The Festival runs through Saturday, June 7, 2014.The on-demand performance (above) comes from a 2012 WFMT Impromptu. It’s a polka by Alfred Schnittke played by violinist Vadim Gluzman and pianist Angela Yoffe. The recording was engineered by Joshua Sauvageau.Friday’s Program“MOZART IN HOLLYWOOD”Wolfgang Amadeus Mozart: Sonata for Piano and Violin in F major K. 377Angela Yoffe, piano, Vadim Gluzman, violinWolfgang Amadeus Mozart: Trio for Clarinet, Viola and Piano Kegelstatt K.
498Alessio Bax, piano, Ilya Shterenberg, clarinet, Paul Neubauer, violaJohann Strauss II/Arnold Schoenberg: Waltz Roses from the SouthAlessio Bax, piano Angela Yoffe, harmonium Vadim Gluzman, Danbi Um, violinRose Armbrust viola, Ani Aznavoorian, celloErich Wolfgang Korngold: Piano Quintet in E major, Op. 15Andrew Litton, piano, Vadim Gluzman, Danbi Um, violin, Paul Neubauer viola, Wendy Warner, celloBack by popular demand: Nachspiel SpecialAndrew Litton plays jazz solos of Oscar Peterson. Mary Mazurek sets up while Lyric Opera’s Craig Terry practices.In honor of Engineer Appreciation Day, the WFMT sound engineers responded to a little in-house survey. Are some of the answers; WFMT audio engineer Mary Mazurek offers some particularly colorful recollections:The worst conditions were:I had to record the Rembrandt Chamber Players at Theater on the Lake for a Music in Chicago program − Theater on the Lake is a semi-open-air space.
That evening, it was blustery and pouring rain. I had to move my equipment twice due to leaks in the ceiling. We couldn’t avoid the sound of the driving rain.
Reelbox Deb Installieren Von Mac
It was very prominent in parts of the recording, not to mention a gust of wind every so often. It was disappointing because I think we were only able to use one or two of the pieces from the whole performance.The biggest scare was:On March 1, 2008, I went into the station to cover an uplink shift. Because it was Saturday, and machines don’t care how you look, I thought I’d be comfortable and wear sweat pants and a t-shirt. When I got there, my boss Don Mueller was waiting for me. He said that Chris Willis had had an accident, and that I needed to go downtown to mix the live opening night broadcast of Lyric Opera’s Eugene Onegin. Fortunately, I had a change of clothes in the car, so I wasn’t a total slob when I walked into the Civic Opera House.
I was nervous because I had neither seen the production nor the inside of Lyric’s audio booth, at least not for a few years. Thankfully, everything was clearly labeled; and Norm Pellegrini was there with the score to give me cues. I think I held my breath for the entire opera.
After it was over, Chris called to ask how it went. I asked, “Are you okay?”He responded, “Yes.”I said, “Don’t ever do that again!”Your best, most heroic “save” was:I was preparing to broadcast a Dame Myra Hess concert, but the ISDN box, which converts the audio to digital, and sends the signal over the phone lines, failed. Bautista at Merlin Media and asked if he had an ISDN that I could borrow.
I ran from the Chicago Cultural Center to the Prudential II building where A.J. Was waiting for me in the lobby. “Here, borrow Steve Dahl’s ISDN.”After the hand off, I ran back to the Cultural Center, hooked it up, programmed it, and got it connected just moments before we went live. I told Carl, “We have Steve Dahl’s ISDN.”He said,”Maybe I should have worn a Hawaiian shirt.”The pickiest, trickiest musician request was:I was sound-checking a violinist and pianist before a Live from WFMT broadcast. I aim for clarity when it comes to the piano, but this violinist couldn’t tolerate the sound in the room.
“Too loud,” she said. First I adjusted the piano lid using the short stick, then propped it open with a roll of gaff tape, then a quarter inch tape reel box, “Still too loud!”I had to tape PZM microphones to the lid of the piano with lots of gaff tape and close it. It worked pretty well, but then I had to pull all that gaff off, and clean the residue. I think it was 1:00 am by the time I finished.The most unusual location was:See aboveYour favorite commercial recording is:This is tough, because I can’t decide on one. It changes, too.I like John Eargle’s Engineer’s Choice disks.
He was the chief engineer for Delos, and wrote the book on recording, literally. The Handbook of Recording Engineering was one of my text books as an undergraduate. I’ve always liked the sound of his recordings, and was fortunate enough to meet and talk with him at an Audio Engineering Society convention. He even signed my book.Another favorite is the Shostakovich 4th Symphony with Bernard Haitink and the Chicago Symphony Orchestra on CSO Resound.
It’s a great piece of music engineered by Chris Willis. I often play it for my students and brag, “This was recorded by four-time Grammy recipient Christopher Willis. I know him.”Another choice is A Roomful of Teeth recorded by the Massachusetts-based contemporary vocal ensemble of the same name.
Reelbox Deb Installieren Vonnegut
It was recorded by Mark Donahue. The audio style is exaggerated and a little over the top, though it compliments the extended vocal techniques and experimental nature of the performance.
I like it!Finally, I like Winter Morning Walks by Maria Schneider with Dawn Upshaw, Frank Kimbrough, Scott Robinson, the Austrailian Chamber Orchestra, and the St. Paul Chamber Orchestra. It was recorded by David Frost, Brian Losch and Tim Martyn. The vocal quality is just beautiful, and the recording is so smoooooth. Four-time Grammy-winner Chris WillisThe engineer faces an incredible range of variables: how will the presence of an audience affect the acoustics? Is the electrical wiring adequate? Will theater staff hang microphones from the catwalk or will the sound engineer have to climb up there?
The engineer must account for rehearsal schedules, the equipment’s physical appearance (if there’s a live audience), the acoustical properties of the instruments in a particular environment, whether or not the performers move around onstage, and whether or not they plan to address the audience. Hudson FairClose call: “One of the worst situations happened when I was in Zagreb, Yugoslavia recording all of the Beethoven symphonies for 3 weeks.
The orchestra went on strike in week three leaving us with no way to complete the project. We had to sit down with an orchestra negotiation committee and pay some more money. We insisted on getting a new principal oboe, so he was replaced.”—Hudson FairWFMT Trivia: WFMT and WTTW made their first stereo broadcast of a live event in 1958.WFMT often depends upon ISDN, which stands for Integrated Services Digital Network.
ISDN provides digital networking through telephone wires, allowing for broadcast-quality signals to be sent from a remote location to the WFMT studios. If the ISDN line has not been set up for a particular location, WFMT Operations Manager Donald Mueller must place an order with the phone company. Installation can take several weeks, which means advanced planning is critical to being ready come performance time.
A day or two before the live remote broadcast, Don goes to the location to perform a test. The installation costs about a $1000. Josh SauvageauWorst situation: “I was brand new at the station and scheduled two recordings back-to-back. Of course the first one went long and the second − a live Impromptu − required around fifteen microphones.
I had twenty minutes to set everything and get my levels. It wasn’t until we were live that I found out several channels on the soundboard weren’t functioning. The broadcast was a mess, but I learned a valuable lesson: always schedule plenty of prep time.”—Joshua SauvageauWFMT Trivia: WFMT has 21 live broadcasts scheduled in June.A sound engineer has to consider which microphone best captures the sound of particular instruments. Choosing the optimal height and distance from the performer is critical.Recording engineers work in peculiar places, often operating the mixing board from a separate room, like a church sacristy or a classroom. For Chicago Symphony Orchestra recordings, the engineers used to sit in the “bass room” of Orchestra Hall. Gordon Carter, retired Chief Engineer for WFMTPickiest musician: “Many years ago we did a regular live broadcast of a certain concert.
Reelbox Deb Installieren Von Pc
One of the musicians recorded the concert at home and did not like what he heard. Since he had a certain measure of influence, the next concert he insisted that he would get to hear the mix during rehearsal and possibly make adjustments. He listened during the rehearsal and had us make some adjustments. When he was done the only instrument you could hear was his. When our Program Director heard this he told us to put it back to the original settings for the broadcast.”Most unusual location: “While not for WFMT, certainly the most unusual location was the cab of a steam locomotive running at 60 miles per hour.”—Gordon Carter. The FLUX Quartet performing at the SFCMF Santa Fe Chamber Music Festival, Wednesday at 9:30 pm.The Santa Fe Chamber Music Festival celebrates talent; and some Festival artists possess more than one.
The program’s co-host and Festival Artistic Director Marc Neikrug not only gets around on the piano, but is a respected composer.“The only way I can envision writing anything is for my ideal. So it’s my ideal string quartet, my ideal pianist, my ideal flutist – whatever. And I’ve been really lucky in my life that a lot of times, those are the people who actually show up and play the pieces.”—Marc Neikrug. Alessio Bax Wednesday Impromptu, 2:00 pmAcclaimed artists descend on the North Shore this week for a little chamber music and a lot of festivities. Concerts run Wednesday, Friday, and Saturday.
Wednesday afternoon’s WFMT Impromptu anticipates the events with music and conversation with three of those visiting artists: pianist Alessio Bax, clarinetist Ilya Shterenberg, and conductor and pianist Andrew Litton.WFMT will broadcast the concerts live on two of those music-filled evenings, Wednesday and Friday at 7:30 pm.on the North Shore Chamber Music Festival.Impromptu Playlist.